![]() When Mac passed away in the fall of 2018, he left behind 13 mix tapes, many of them self-recorded, which trickled onto streaming. ![]() ![]() So ultimately, this song serves as an elaborate way of putting forth why most people decide to take drugs in the first place, which is basically to achieve a heightened state of awareness, if you will. Or most simply explained, the likes of Miller may find it more edifying being thoroughly high than not. McCormick, the brother of the late rapper Mac Miller Malcolm McCormick, is the artist behind the cover art for the majority of his brother’s records, from 2010’s Blue Slide Park, to 2016’s The Divine Feminine. However, there is a discernible idea being put forth throughout. And most simply explained, the thesis sentiment revolves around Mac Miller presenting such drugs as a viable means of escape from the sober world, so to speak. And the reason why such is desirable is because, as presented, the mainstream is unable to appreciate life in its fullest. Therefore, listeners should not expect all of the lyrics to make sense per se. Now even though we have already done so numerous times, let us once again point out that this is a drug-fueled/inspired song, being empowered by LSD even. Rather he is doing so in the search of “comfort” and a greater sense of self-awareness, if you will. And the vocalist does in fact appear to be tripping throughout the passage, including him interacting with an imaginary sea captain. But this figure also represents his search for self and accordingly advises the singer to ‘let himself slip’ in the name of achieving wholeness. Indeed Miller enters the equation by referring to “color and shapes”, which by this point we can ascertain are symbolic references pointing to being high on such substances. But in relation to the aforementioned Leary quote, Mac doesn’t come off as if he isn’t getting high just for highness’s sake.
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